LOCAL ART
IS THE PULSE CHECK OF OUR COMMUNITY.
We support local artists and
are happy to show vibrant work at our cafes for
the
viewing pleasure of our employees
and customers.
Selection
Our shows generally last for three months. To submit your work for consideration:
*Email 15-20 images, including dimensions and medium, artist statement and resume/bio
to: art@flyingstarcafe.com or art@satcoffee.com.
We
currently show work at: Flying Star in Nob Hill. Flying
Star on Juan Tabo & Montgomery. Flying Star
on 8th & Silver.
Flying Star in Bernalillo. Satellite
Coffee in Nob Hill. Satellite on Alameda. Satellite on
Montgomery & Wyoming. Satellite in Uptown. Satellite
Coffee on Central & Harvard. Our Local Artist Partners
Once your work is selected, a Flying Star Cafe/Satellite
Coffee representative will contact you to make arrangements.
We reserve the right to choose work based only on our
preference or taste. Content of art must be generally
acceptable for all ages of the public. We do not sell
artist work or ask for a commission. All sales transactions
are to be handled through the artist and purchaser.
Flying Star Cafe/Satellite Coffee proudly promotes
our local artist partners on our website, in addition
to our stores.
Installation
Artists must bring the pieces ready
to hang; framed and wired including any preparation that
is necessary. Pieces
must hang securely so please bring them properly prepared.
Artists also provide copies of any artist information to
make available to our customers and labels that include
title, artist name, contact information, and price. A representative
of Flying Star/Satellite accompanies artists to hang selected
pieces. Shows rotate every three months. We cannot be responsible
for theft or damage while art is on display. Artists are
responsible for removing their work. |
 |
|
|
Flying
Star Nob Hill
Evan Travnicek
Artist
Bio:
To call myself a self-taught artist feels misleading; I was born to make art.
My creative process is intuitive and I can’t imagine life without it.
Creating art brings balance to my life. I have been a professional working
artist since my first exhibition over 17 years ago.
International
folk art most inspires my work, specifically traditional
Japanese Kokeshi dolls. I have played with the
Kokeshi in my work for over 10 years, incorporating
its lively and cheerful image in endless variety.
I constantly find renewed inspiration from the
vibrant and endearing Kokeshi. These dolls allow
me to express my clandestine inner world by connecting
folk influences of the past and a vivid hope for
the future.
For
more information about my art or to contact me
please go to: www.alexandragjurasic.com.
|
|
 |
|
Flying
Star Juan Tabo
Jenny Malvern
Artist
Statement:
I was born in Albuquerque, New Mexico on Cinco de Mayo, which may explain part
of my fascination with Latin cultures. My grandparents raised me in Los Ranchos
de Albuquerque and I spent much of my childhood hiking in the Jemez Mountains
with my aunt and uncle, and spending summers with my father and his family
in Southern California. In addition to being an artist, I am the mother of
two wonderful children.
For two years I studied architecture at the University of New Mexico. I earned
my bachelor’s degree in art history with an emphasis in Latin American
modern and contemporary art from the University of Delaware. Professionally
I have worked as a graphic designer, art gallery manager, art teacher, office
manager to the founder of the Smithsonian’s Museum of African Art, book
copyeditor and layout designer, and most importantly artist.
Hot air balloons, the ocean, seashells, swimming pools, pets, hikes, calligraphy,
watching my grandfather paint, and the pawnshop where my grandmother worked—these
are the experiences of my childhood that influence my work. Currently my children,
my relationships, nature, old family photos, music, and travel inspire me artistically.
My paintings range from the completely abstract to the representational. I
like street art: the hard-edges of graffiti, stencils, tattoos, concert art
of the 1960s hippie festivals and the 1980s punk era, and Latin American folk
art. My affection for bright colors comes from my optimism and my appreciation
of the use of color in the art of Latin cultures. My favorite artists are Remedios
Varo, Matisse, Frida Khalo, Sol Le Witt, Elizabeth Murray, Joan Miro, Roy Lichtenshein,
Andy Warhol, Pablo Picasso, and Salvador Dali.
|
|

|
|
|
Flying
Star Downtown
Stacy Hawkinson
Artist
Statement:
My art education began in
earnest after obtaining several science degrees
and working in the Medical technology field for
a couple of years. But something kept drawing me
back to the arts I had always loved and this resulted
in undergraduate work at New Mexico State University
in Las Cruces. This in turn resulted in an MFA
degree in painting and drawing from Northern Illinois
University in Dekalb. By the time I got to Albuquerque
I knew how I wanted to paint, I just didn't know
how to go about it. I like to work big and that
requires space to paint, which I didn't have. To
avoid that problem I started a small cooperative
gallery with people who responded to my ad in the
Alibi.
After
the LUCY Gallery played out I discovered I was
left with a few art friends and still no where
to work so I painted smaller and participated
in a few shows. Eventually I found my way to
studio space at Fort 105 in downtown Albuquerque
where I could produce and show paintings. My
work now ranges from very large to very small.
These pieces are composed with images I've found
somewhere or another, often painted on fabric
or maybe a blanket or discarded drapes, or on
canvas or board.
Realistic,
banal, commercial, popular, appropriated images
may be combined with abstract painting, cartoonish
clip art renderings, silhouettes, dripping house
paints, whatever works at the time. I really
just like to play with the elements using a wide
range of techniques and styles until a sense
of balance, or imbalance is struck. Or I might
paint a single image all by itself, or no image
at all.I also like polka dots.
|
|
 |
|
|
Flying
Star Bernalillo
Joy Conway
and the
Sandoval Community Arts Organization
Artist
Statement:
This
was a fun and rewarding project for me, as well
as being educational. Most of my work is done
with private homeowners or business owners, and
involves making their imagined designs come to
life, or me
creating a design out of...again...imagination.
The Flying Star Bernalillo project involved over
30 hours
of research, to insure that we had dates, chronological
order and historical details such as clothing style
and design portrayed accurately. Also, most of
my commercial work is with an eye toward the future
and sales. I found this project especially compelling
because we were honoring the past events that had
taken place around a new business site. It makes
me look at Bernalillo with new awe and appreciation. Finally,
the best part about this project were the people
involved, every last one a volunteer. We had
both "real" artists and those who had no
artistic experience work on the mural. It lends a
sense of whimsy and beautiful "not-perfect" results
so when many hands are involved and so many different
styles come together. Everyone had a positive attitude,
even though there was an intense deadline, and I
made several friends of the special women who helped
out. It was especially rewarding to me to realize
that we had people of Mexican, Indian, Irish, Polish,
Russian, English etc., descent working side by side
to get the job done, with respect and cooperation.
Who says we haven't come a long way?
The Flying Star and Satellite restaurants have been
my favorite since moving to the Albuquerque area
eight years ago. I was thrilled to be a part of this
project, and hope to work with the Sandoval Community
Arts again!

|
|
 |
|
|
Flying
Star Bernalillo
Brian Vallo
Artist
Bio:
Brian Vallo (“Phragaiseewa”) is of the Sun Clan and a member of
the “Haaku” (Acoma Pueblo) tribe in New Mexico. Brian grew up on
the Acoma reservation where he first became introduced to a “western” education
by attending the Bureau of Indian Affairs “Day School”. He also
spent a significant amount of time with his grandparents and learned the language,
values and cultural traditions of his tribal community, values handed down
for generations. Brian continues to enjoy and take pleasure in observing the
unique Haaku landscape, an environment that has sustained the Pueblo Indian
people for millennia. This “life canvas” profoundly influenced
Brian’s artistic and professional interests and strengthened his desire
to remain close to, and involved with his Pueblo. Brian has nearly 20 years
of experience working with tribal communities in areas of historic and cultural
preservation, cultural resources management, economic development, and tourism.
He voluntarily serves on a number of local, regional, and national Boards focusing
on education, cultural preservation, the arts and tourism.
|
|
|